About

Since 2007, I've collaborated with artists, studios, and agencies to create immersive experiences that use emerging technologies thoughtfully. My work is informed by studies in storytelling and game design, and by experience across advertising, architecture, and entertainment. Using interactivity to tell stories is rarely straightforward; the problem-solving is what keeps me excited about each new project.

My specialty is acting as a bridge between the creative and the technical. As a former full-time digital artist, I'm comfortable concepting and pitching, and I prefer to be involved from the beginning to help shape ideas that are ambitious but feasible: ones that challenge users while remaining accessible, and that say something only immersive, interactive media can.

In production I'm almost always hands-on. I believe in using the right tool for the job and putting the concept first, which means staying flexible and willing to learn as I go. I also bring years of teaching experience to collaborative work: many semesters as an adjunct in Parsons' MFA Design and Technology program, plus a semester at NYU's ITP.

I believe in thorough prototyping and an iterative workflow, working closely with designers, directors, animators, musicians, engineers, fabricators, and photographers to build, test, and refine interactive experiences. Over nearly two decades and dozens of projects, I've built a process for just that: flexible enough to slot into most teams, rigorous enough to ship.